The 1949 movie Little Women (set in 1861) and the 1944 musical Meet Me in St. Louis (which is set in 1903) and are two popular — and surprisingly same — movies. This article details some of the many features that these movies have in common.
Both movies revolve concerning individual families residing in the leafy suburbs of American cities (Concord, Massachusetts and St. Louis, Missouri). The intimates in Little Women consists of: dad Mr. March (Leon Ames), mother Marmee (Mary Astor), and daughters (in order of descending age) Meg (Janet Leigh), Jo (June Allyson), Amy (Elizabeth Taylor), and Beth (Margaret O’Brien). The associates in Meet Me in St. Louis consists of: father Mr. Alonzo Smith (Leon Ames), mother Mrs. Anna Smith (Mary Astor), son Lon, Jr. (Henry H. Daniels, Jr.), and daughters (in order of descending age) Rose (Lucille Bremer), Esther (Judy Garland), Agnes (Joan Carroll), and “Tootie” (Margaret O’Brien).
As you may have already noticed, the father, mother, and youngest daughter in both movies are played by the same actors. Another actor push in both movies is Harry Davenport (who appears as Dr. Barnes in Little Women and as “Grandpa” in Meet Me in St. Louis).
The movies have same transitions along in addition to their credits and launch scenes. In Little Women, a picturesque winter scene of the dwelling of the March relatives and that of their neighbours is shown as an embroidery. In Meet Me in St. Louis, an ornately framed, sepia-toned characterize of the flaming in summer and the words “Summer 1903” are displayed. Both movies opening bearing in mind these static pictures fading into precise opposed to footage. In Meet Me in St. Louis, to uphold the viewer appreciate the passageway of times, the use of a static seasonal characterize of the home is repeated all three months until the Spring of 1904 — the times of the ably-known World’s Fair in St. Louis.
In both films, we see in the region of the deeply youngest daughters (Beth, Agnes, and Tootie) slip in be crazy about. Both Esther (of Meet Me in St. Louis) and Jo (and higher Amy) (of Little Women) slip in incredulity considering the wholesome boy-adjacent-admittance atmosphere, who in both cases has just moved into the neighbourhood.
Both movies incorporate the Christmas become out of date, and the families in both films have gloss to be mishap at that particular Christmas. In the achievement of Little Women, the intimates is missing their dad, who is away serving the Union Army during the Civil War. The daughters each use the dollar unqualified to them by their Aunt March (Lucile Watson) to obtain their mother Christmas gifts. On Christmas day, the associates find to have the funds for much of their Christmas food to their poor links. In Meet Me in St. Louis, the associates’s Christmas is saddened by the fact that their father has agreed that they will assume to New York right after Christmas. On Christmas Eve, taking into account the father realises just how industrial accident everyone is by his decision, he gives them the greatest Christmas pronounce they could study for by changing his mind very about the make miserable. The Christmas computer graphics and gorgeous snow scenes shown in both films make for ideal holiday viewing.
Both films seem to have a thesame artistic way of mammal. For instance, they hire particularly vivacious colours and beautiful sets, making them utterly to your liking to watch. They furthermore adaptableness to full advantage of the beatific seasonal variation in the weather experienced in parts of North America. Both movies feature houses gone a grand staircase and an ornate, tree-reforest-filled conservatory. At one reduction in each film, the two youngest daughters are shown spying at the festivities from in the back the staircase rails. For more info xnxz.
In late gathering to the fact that the movies were made in the region of the same era (1944 and 1949), the similarities mentioned above may moreover be related to the subsequent to gloss partners. Sally Benson, who wrote the indigenous novel Meet Me in St. Louis (most of which was published by now as the “Kensington Stories” in the magazine The New Yorker), wrote the movie accommodation for this financial credit of Louisa May Alcott’s Little Women. The movies in addition to shared the same set decorator (Edwin B. Willis), art running team follower (Cedric Gibbons), colleague (Technicolor) colour director (Henri Jaffa), Technicolor advisor (Natalie Kalmus), makeup department believer (Jack Dawn), and solid recording director (Douglas Shearer).